WildBoots
Don’t underestimate seeds.
Hey qva, read a couple chapters last night! (2 & 3.)
So here’s Prim! She’s tough, not just by training but by wiliness. She’d rather cheat than lose, though I can’t tell if it’s because she’s fiercely competitive or prideful. (She definitely didn’t seem afraid of Ulric or of what might happen if she lost.) Unprovoked, she’s not unkind, but she also doesn’t have an especially developed sense of empathy. All she wants is to create a situation that’s favorable to her.
I do wish I knew a bit more about what she wants and what her aspirations are. How high can a wandersword climb? From Ferry, we get a sense of how the lucario ended up among the knights—against their will—but we don’t know much about Prim’s background. Did she choose this or was it thrust upon her? What does she expect the life of a wandersword to be like?
Things aren’t off to an especially smooth start with the zoroark kidnapping, but they seemed to end in a neutral place. Ferry thinks no better of Prim, and she thinks no worse or him. What we get out of the exchange is mostly establishing stakes—possible dangers on the road.
I struggled a little with the motivations of the zoroark and with Ferry’s response to it. Seems like it’s out for a revenge kill and stealing his stuff ... but then why take him to its den? And I buy that it tricked Ferry into thinking it was a human, but I wish I had a sense of how he planned to deal with the human. A human in the middle of the night also cannot possibly be up to any good.
I do appreciate all the tangible, tactile detail here. This definitely feels like a medieval setting to me, hardtack and boiled leather and all. Heat and the elements are strong forces here, and the Lanceroute definitely comes alive in that way.
Some line-by-line remarks here:
I was a little confused what he was asking here. It sounds from context like a geography question, but the dialogue sounds like it’s about their career path.
I liked this insight into lucario culture though.
One last observation: I thought it was interesting how quickly she jumps to calling him Ferry. I would love to see him either react to that pushy familiarity or to have her instead stick to the more formal Ferrycloth to show detachment, a contrast to calling him Ferry in his own narration.
This has been a fun read so far, and I’m looking forward to checking in on what comes next!
So here’s Prim! She’s tough, not just by training but by wiliness. She’d rather cheat than lose, though I can’t tell if it’s because she’s fiercely competitive or prideful. (She definitely didn’t seem afraid of Ulric or of what might happen if she lost.) Unprovoked, she’s not unkind, but she also doesn’t have an especially developed sense of empathy. All she wants is to create a situation that’s favorable to her.
I do wish I knew a bit more about what she wants and what her aspirations are. How high can a wandersword climb? From Ferry, we get a sense of how the lucario ended up among the knights—against their will—but we don’t know much about Prim’s background. Did she choose this or was it thrust upon her? What does she expect the life of a wandersword to be like?
Things aren’t off to an especially smooth start with the zoroark kidnapping, but they seemed to end in a neutral place. Ferry thinks no better of Prim, and she thinks no worse or him. What we get out of the exchange is mostly establishing stakes—possible dangers on the road.
I struggled a little with the motivations of the zoroark and with Ferry’s response to it. Seems like it’s out for a revenge kill and stealing his stuff ... but then why take him to its den? And I buy that it tricked Ferry into thinking it was a human, but I wish I had a sense of how he planned to deal with the human. A human in the middle of the night also cannot possibly be up to any good.
I do appreciate all the tangible, tactile detail here. This definitely feels like a medieval setting to me, hardtack and boiled leather and all. Heat and the elements are strong forces here, and the Lanceroute definitely comes alive in that way.
Some line-by-line remarks here:
The double back is odd, but I do like how both of this actions show off her unruffled, carefree, jockish nature.kicking back and throwing back a gulp of beer.
Delicious.unidentified meat item.
*Every oneReckon she could kick everyone of our asses.
I think the second part here goes without saying.You can afford to sleep in a little when you fight like that, the sergeants turn a blind eye.”
Loved this. Get ‘im!Ooh,” Prim cooed, raising her eyebrows. “Big scary muscle man. I guess I’m in trouble, huh?”
Ooh what an image.and his hands were no doubt big enough to cradle her skull like she might an apple.
You don’t need “exerted.”and an exerted grunt forced its way out of his lips.
I was confused about the order or operations here. I hadn’t realized Prim or Ulric were on their feet.The other tables took note and rose to their feet with them.
This line really sells her inability to empathize with them. She’s observing their behavior, but has little clue where it comes from and instead is almost scolding them in her mind.The lucario were all lined up and looking quite grim, as they often did.
Almost empathy here! (And great sense of physicality!) But she’s still thinking of them as dogs, not people.The lucario didn’t seem particularly thrilled, either. Most of them stood staring at the ground, tails swishing, fists clenched. Some of them were panting, pink tongues undulating from behind their pointed teeth. Prim thought she was burning up… How hot must they have been under all that fur?
I’d either do “anyone or anything” or “any person or thing.”animalistic fury and strength than anyone or thing she’d ever met.
Ooh nice!!standing here at the altar of her duty and achievement.
I liked this asymmetry too; she’s thinking partner, and he’s thinking slavery.This sweltering heat, the rugged and unkempt lucario she was to call partner for the foreseeable future
I wasn’t sure if this was a typo or if the sargeant was also walking here. Unclear.her steps practiced and formal and rhythmic. Ferrycloth stomped unceremoniously behind him,
I wanted that thought to extend a little more, even if it’s only the beginning of a thought about which way to go and it gets interrupted. I do like this juxtaposition though. Ah, yes, the way forward—dragged back.There was only one way to go from here.
“I hate you.”
Lol polite but cold shutdown.Well, I’m sorry to hear that,” she said, and continued walking. “But I guess we’re stuck together, huh?”
I get why he is stuck in this situation, but I feel like you could do more to sell why she needs him. Couldn’t she just sell him off or ditch him if he’s a liability?For better or worse, they were stuck together.
Hahaha, her obliviousness is kinda great. Reminds me a little of the dynamic between the child and Nate in Salvage. Look how nice I’m being by not killing you! Can I get some appreciation? God.Prim had known the lucario less than a day, but she'd already given up on expecting any thanks.
This makes it sound like you’re characterizing her as dishonest as a rule. Maybe “to be honest”?Two would be ideal, really, if Prim was honest.
Sandslash’s back, perhaps? The front is pretty smooth.Its surface was about as even as a sandslash's
Nice.she knew by now that she'd have better luck scrubbing the blue out of his fur.
*Learned in?I'm... poorly learned on the lay of your country."
Right, what’s their goal?I confess that I have wondered when this journey will end.
I was a little confused what he was asking here. It sounds from context like a geography question, but the dialogue sounds like it’s about their career path.
I thought she didn’t have a map?Ferry sniffed and gave her maps another dubious look. "
This would’ve been a good place to reflect on the possibility of Ferry killing her in her sleep.she might have to do it here, now, on the side of this desolate road.
Oof. Made more brutal by the casual way she asks. It might be nice to see a note of ... what a waste it would be to have to kill him, right? Or ... has she actually killed before? How ready is she to do it?Are you going to run away?" she asked Ferry, suppressing a yawn. The question was mostly rhetorical. Ferry could try and run if he wanted, but there were only three ways to go: back to camp, where he would be executed for deserting; forward, to a town where he would no doubt be captured and sold as a slave to some other, inevitably less kind master; or away from the road and into the wilds, where wild beasts waited for bumbling blue-furred idiots to traipse into their maws.
This parsed a little oddly, I think because the order of operations is off. It feels like she drifts to sleep and then there’s an absence of words (which, duh) and not like she’s reaching for something to say but then falls asleep instead.opened her mouth to say something else to her partner before she drifted off into sleep, but it never came.
*should not beThey were said to be everything a lucario should not: conniving, unscrupulous, solitary.
I liked this insight into lucario culture though.
Running claws through flesh is hard to visualize, I think because I imagine it would give more resistance than what’s implied here.The fox was running his claws through Ferry's flesh, leaving shallow wounds in their wake.
This might be a moment to wonder if Prim had left him for dead. If she’s practiced sleeping in shifts, I’m surprised she didn’t snap awake on her own in the night.The sun had risen far enough by now that its golden light was glistening off the dew.
I wanted a little more of a sense of place for this den!Then he had dragged him here, to his den perhaps a mile away.
Intensity doesn’t feel like the right thing here. Force? Desperation?Ferry squirmed again, as intensely
I love the detail of the ant—he’s bored with this, despite his terror—but I’m not sure about eye to eye. The dirt doesn’t have eyes.He was now eye to eye with the dirt. There was a little ant crawling by.
Why would it “leave him” to die in its den? I also wasn’t sure how leaving him to die wasn’t letting him go.I do not let you go. I take your things and I leave you here to die. Fuck your honor."
Oh no she didn’t clean her blade!Prim sheathed her sword unceremoniously and dabbed at the sweat beading on her brow as she regarded her fallen opponent.
Is cranium really the word Ferry is thinking to himself?eyes passing over the gashes on his cranium,
One last observation: I thought it was interesting how quickly she jumps to calling him Ferry. I would love to see him either react to that pushy familiarity or to have her instead stick to the more formal Ferrycloth to show detachment, a contrast to calling him Ferry in his own narration.
This has been a fun read so far, and I’m looking forward to checking in on what comes next!
Last edited: