zion of arcadia
too much of my own quietness is with me
- Pronouns
- she/her
- Partners
-
Hey, Adam! I'll be reviewing the first chapter for catnip circle. The opening is very cute, and the ending rather foreboding. I already have some idea of what'll happen since I looked over later chapters, but still, I can't believe you'd even think about being so mean to two sweet little muffins. >:(
I really liked how you opened the story with Mew as a leavanny. It's a clever misdirect--honestly, I almost wish you'd run with the misdirect longer, revealing Mew's true nature around the same time the farmer shows up accusing them of stealing. Also felt she appeared very abruptly, speaking as a leavanny and almost creating the sense that she popped into existence then and there. Regardless, it's a solid way to establish Mew's powers as well as their relationship.
The thing I found most interesting was how the relationship is reversed compared to what we often see in Mew stories. Here, Mew has taken up a motherly role for the human, a child named Kuki. Kind of a subtle meta shift and one I'm curious to see more of--I like the idea of using the setup to explore motherhood. A lot of pop culture has written about the protective mother (Joyce from Stranger Things being a well-known example) and sort of push them to see what lengths they take for the sake of their child. Definitely want to see more of how you approach this aspect.
I thought the banter between Mew and Kuki was solid. Even though Mew takes up the role of a parental figure here, there's still something about her speech patterns and actions that feel rooted in whimsical childhood innocence. Like when they're eating the berries together, for example, and Mew 'threatens' to eat all the food because she has a big stomach. I'm not sure if that's Mew humoring Kuki or if they actually share a similar mindset, although I assume that'll become more clear further down the line. Either way, I dig it so far.
My only mild concern from a character perspective is that Kuki might end up leaning too hard into the idea of the 'pure, innocent child' archetype. I don't think it matters too much for an opening chapter, but it is something to keep an eye on in the future. Children are messy and experience complex emotions, they just haven't developed the means to necessarily understand those emotions like an adult can.
Hope the Lotus Prince becomes a recurring motif in the story. Think there's a lot of potential to draw parallels between what's happening in the real world and what's happening in the show. Grounding that in the kite and making it a focal point of the chapter was smart, as it gives the characters something to do together. Plus it's just... pleasant. That's my overall perception of this chapter. Pleasant. Except for the end. Seems like foreshadowing that bad things, they are a-coming. Protect Kuki at all costs. :(
Hmm, thoughts on prose. Some of the dialogue could've been streamlined; there were some unnecessary dialogue tags and even actions that could've been cut to just let the dialogue stand on its own. Especially since there are only two characters talking for a majority of the chapter.
Sometimes your prose is a touch repetitive. An example:
This is all being filtered through Kuki's consciousness (she turned, she saw, she felt, etc.). By varying the subject of the sentence--which is certainly possible even if you're strictly keeping to Kuki's pov--you can inject more variety into the sentences themselves. Did a quick re-write to demonstrate what I mean:
That's about all I have to say. Thanks for the read! And have a good day. :)
I really liked how you opened the story with Mew as a leavanny. It's a clever misdirect--honestly, I almost wish you'd run with the misdirect longer, revealing Mew's true nature around the same time the farmer shows up accusing them of stealing. Also felt she appeared very abruptly, speaking as a leavanny and almost creating the sense that she popped into existence then and there. Regardless, it's a solid way to establish Mew's powers as well as their relationship.
The thing I found most interesting was how the relationship is reversed compared to what we often see in Mew stories. Here, Mew has taken up a motherly role for the human, a child named Kuki. Kind of a subtle meta shift and one I'm curious to see more of--I like the idea of using the setup to explore motherhood. A lot of pop culture has written about the protective mother (Joyce from Stranger Things being a well-known example) and sort of push them to see what lengths they take for the sake of their child. Definitely want to see more of how you approach this aspect.
I thought the banter between Mew and Kuki was solid. Even though Mew takes up the role of a parental figure here, there's still something about her speech patterns and actions that feel rooted in whimsical childhood innocence. Like when they're eating the berries together, for example, and Mew 'threatens' to eat all the food because she has a big stomach. I'm not sure if that's Mew humoring Kuki or if they actually share a similar mindset, although I assume that'll become more clear further down the line. Either way, I dig it so far.
My only mild concern from a character perspective is that Kuki might end up leaning too hard into the idea of the 'pure, innocent child' archetype. I don't think it matters too much for an opening chapter, but it is something to keep an eye on in the future. Children are messy and experience complex emotions, they just haven't developed the means to necessarily understand those emotions like an adult can.
Hope the Lotus Prince becomes a recurring motif in the story. Think there's a lot of potential to draw parallels between what's happening in the real world and what's happening in the show. Grounding that in the kite and making it a focal point of the chapter was smart, as it gives the characters something to do together. Plus it's just... pleasant. That's my overall perception of this chapter. Pleasant. Except for the end. Seems like foreshadowing that bad things, they are a-coming. Protect Kuki at all costs. :(
Hmm, thoughts on prose. Some of the dialogue could've been streamlined; there were some unnecessary dialogue tags and even actions that could've been cut to just let the dialogue stand on its own. Especially since there are only two characters talking for a majority of the chapter.
Sometimes your prose is a touch repetitive. An example:
When Kuki turned her gaze, she saw a pink light orb facing her. She squinted her eyes at it, tilting her head and wondering what it was. She felt a familiar warmth, drawing her closer to it. When she touched it, it dissolved into her body, making her body radiate a pink glow.
This is all being filtered through Kuki's consciousness (she turned, she saw, she felt, etc.). By varying the subject of the sentence--which is certainly possible even if you're strictly keeping to Kuki's pov--you can inject more variety into the sentences themselves. Did a quick re-write to demonstrate what I mean:
A pink orb faced her. What could it be? A familiar warmth radiated from it, and as Kuki reached out with a hand, it dissolved, the warm light spreading across her body.
That's about all I have to say. Thanks for the read! And have a good day. :)