- Pronouns
- she/her
- Partners
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You sold counterfeit vegetables to the young children of the village, you monster
well the field on fire was kinda drab so you set tinfoil wrapped popcorn bombs with the second one to liven it up...
Wasnt your fault society didnt appreciate your mass holiday outdoor cooking event.
Impersonating an officer of the law to get a better deal on counterfeit vegetables (toy vegetables). It was a sting operation.
The funds were gonna buy enough corn for a third mass holiday outdoor cooking event.
You also needed some tinder to get the fire for the tinfoil wrapped popcorn bombs going (all that corn don't burn itself...), so in perfect prankster style, you decided to do this generation a favour and spare them the horrors of all your school's advanced linear prealgebra textbooks! Way to kill two b... err.... nevermind.
Also you wrote mean poems and stuck them in random mailboxes. For fun. As a treat.
"So."
It takes the better part of a quarter hour to recount your antics. In the moment, it hadn't seemed like all that much—one thing had left to another, and suddenly you were impersonating a guard to sell children contraband more efficiently so that you could make bigger popcorn explosions and... Yeah, alright, you kind of get why they put you in jail now. You should really think these things through more.
All the while you're flinching after each confession, waiting for your mother to finally react, to pull out her soup spoon and wallop you or something—but she doesn't. She just watches you silently and with wide eyes, and the tension is almost worse than any actual reaction she could dole out. You're almost desperate for her to do something, anything.
When your tale finally comes to a close, she stirs at last. You recoil instinctively, but it's not a drastic motion she makes. She just leans back a little on her stool, pinches the bridge of her beak, and lets out an almighty sigh.
"Eschalotte," she says. "My sweet chick. My precious child."
It's the most devastating thing she could have said to you, really.
"You are a blasted fucking idiot."
... Yeah, you had that coming.
"Do you understand how hard you've made things, not just for yourself but for me? I'm not sure you do. Because if you did, it would mean you're doing these things in spite of the way it hurts me—hurts us. And I like to think you love me too much to do something like that."
Your heart sinks through the fucking floor.
"I am a chef. A damn good one, too. People from across the world flocked to this restaurant, once, just for a taste of my work. It's midday on a Saturday, Esher, and the only mon haunting this place now are myself and my ne'er-do-well daughter. Why do you think that is? I can't blame it squarely on you. The world is changing in many ways, and change has a way of making business rough. But things being difficult as they are, surely you understand that you—your actions, your disregard—have not helped matters one bit. The daughter of a once-great chef, arrested for selling plastic food to children. What kind of image do you think that presents? How do you think that reflects on me? Did you even think about it at all?"
The answer is no, of course you didn't. You were just getting your kicks in however you could. But seeing your mother like this, eyes ringed with red, once-bustling pride-and-joy restaurant ghost-dead, the guilt you've been pushing off for all these years hits you like a rhydon all at once. You feel like you might throw up.
"I'm sorry, Mom," you croak out. And she looks at you again with those eyes, that gaze so disappointed it might as well be flaying you, crucifying you.
"I love you, my chick," she coos softly. "I always will. But things have progressed to the point where my own feelings on the matter don't count for much anymore. I've protected you all this time with all I have. And now I have nothing left." There are tears welling in her eyes. "I warned you this day would come. Many times I warned you—so did the warden, so did the elder. But you didn't listen. And now it has arrived."
Your wings are shaking with dread. "What do you mean?"
"Did you wonder why I picked you up out of jail before your sentence? I've never done that before." You hadn't thought about that, actually—you'd assumed she was just that mad. But she raises a worthy point. "The elder has summoned you to tribunal. Your fate will be decided on the platform tomorrow. I'm sorry. There's nothing I can do."
And then, as if she can bear to behold you no longer, she rises from her seat and waddles to the kitchen, her back to you.
For all the irony in the world, she's chopping onions.
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End of prologue
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