slamdunkrai
fired from the devil's workshop for idling
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Hey! Reporting back for the review exchange, coming off the second half of chapter three. It turns out I remembered everything after chapter two much less than I thought I did, haha; it's something you allude to early on, of course, but it caught me by genuine surprise when Toku evolved as early as she did. Anyway, tl;dr: so far I like this a lot!
I can only really echo what everyone else has said about the wonderful job you did with the first chapter, specifically with showing us the isolated culture that Wataru spent his early years around. I love that the first thing we see here is the titular dragon's dance, I think the insights we get on this ritual from his point of view really help to set up the story's defining metaphor (namely, Wataru's coming of age being like that of a miniryu's journey to become a kairyu), and the description here is so damn vivid that it really helps sell the spectacle of the whole thing. I also thought the way you showed his relationship with Ibuki here was excellent; her dedication to laundry and just generally being A Responsible Grown-Up Teen, and him bemoaning her for being A Boring Hard-Nosed Square, really helped sell their kinship.
There's a lot of detail put into the nitty-gritty of life at home, which is fantastic for getting us immersed, and even better for describing the rug that you pull from under us when Wataru gets himself kicked out of town. The last part of this chapter is also great for setting up some inner conflict between his elders having their traditions for a solid reason and respecting them lest bad things happen again, and his (pretty damn justified, I have to admit) view that they're concerned these traditions far more than they are with actually looking after him, a child who is affected by their decisions; it struck a chord with me to see this poor kid bemoaning Uncle saying he didn't want it to come to this, but seemingly not doing anything to stop it. I especially thought this was interesting considering that, to protect their traditions, they're exiling a twelve year old who knows all about them. Intuitively I understood this as I was reading it; okay, my line of thought was, they're setting an example and showing no tolerance for spilling this behaviour to outsiders, and they're warning him not to spill any secrets; it's way too strict, but it makes sense. Then while writing this review I realised, hey wait a second, Wataru's the only thing stopping himself from spilling the beans about the dragons, and he's a kid! This punishment doesn't make much sense at all! And, frankly, I love that! It both sets up the actual plot going forward, and drives home the idea that these adults are making questionable decisions, they're irrational, and they're just priming the poor kid to watch his tongue at all times and then form some strong opinions about authority that he's going to have to unpack later.
I don't think I have quite as much to say about the next two chapters, but for getting the ball rolling with the start of Wataru's journey, they do the job well! Echoing the comment made elsewhere about the city never being far away in Kanto as a nice touch; the kid's had his whole life uprooted to go explore the world, the writing here speaks to this wide-eyed outlook where he's got so much to get used to, and I think you do a great job of making that contrast between the isolated village he's known for so long and the more industrial world he's having to get used to. I also appreciate that you've found a way to make those first two badges interesting parts of his character arc, and you do a good job of reinforcing the dancing motif in chapter three (which was just all-around very charming! Seeing Wataru faced with the gyarados and figuring out a way to work together with that big lug was very sweet, and you do a good job of capturing that magic that draws me to the games -- this little kid experiencing firsthand, and being mesmerised by, the scale of the world around him as he participates in it). All in all: good stuff. Also, I like the pacing here; it feels... I don't know if episodic is quite the word I'm after, but I like how we're learning about the start of his journey in slow, almost awkward, detail. Adds to the feel of our protagonist being a fish out of water. Or a ryu out of Ryu's Gift, I guess.
Can't really think of many real quibbles that I had with this. Like, this isn't really an actionable thing, but I thought Toku evolving so early on was an odd move in terms of pacing; I understand why you did this (the line about this being the last year he'd wear the miniryu's blue in the first chapter came to mind), but I think I would've liked to see this link made clearer at the end of the chapter (the comment about him being closer to home yet further away was... serviceable, I think, but I think it's a point that's already pretty clear by that point). Either way, it's not a huge deal, I think. Scanning back over it there were really only two other lines that struck me as a little off, and one was because of spelling:
...That's pretty much it! On the whole, this is a really excellent start, and I'll definitely have to get back to where I remember being (but might not have been) last time. I'm glad I took up the opportunity to leave my thoughts on this, and I'm very invested in what's in store for our little hero as he sprouts wings and grows into his own. Cheers for writing!
I can only really echo what everyone else has said about the wonderful job you did with the first chapter, specifically with showing us the isolated culture that Wataru spent his early years around. I love that the first thing we see here is the titular dragon's dance, I think the insights we get on this ritual from his point of view really help to set up the story's defining metaphor (namely, Wataru's coming of age being like that of a miniryu's journey to become a kairyu), and the description here is so damn vivid that it really helps sell the spectacle of the whole thing. I also thought the way you showed his relationship with Ibuki here was excellent; her dedication to laundry and just generally being A Responsible Grown-Up Teen, and him bemoaning her for being A Boring Hard-Nosed Square, really helped sell their kinship.
There's a lot of detail put into the nitty-gritty of life at home, which is fantastic for getting us immersed, and even better for describing the rug that you pull from under us when Wataru gets himself kicked out of town. The last part of this chapter is also great for setting up some inner conflict between his elders having their traditions for a solid reason and respecting them lest bad things happen again, and his (pretty damn justified, I have to admit) view that they're concerned these traditions far more than they are with actually looking after him, a child who is affected by their decisions; it struck a chord with me to see this poor kid bemoaning Uncle saying he didn't want it to come to this, but seemingly not doing anything to stop it. I especially thought this was interesting considering that, to protect their traditions, they're exiling a twelve year old who knows all about them. Intuitively I understood this as I was reading it; okay, my line of thought was, they're setting an example and showing no tolerance for spilling this behaviour to outsiders, and they're warning him not to spill any secrets; it's way too strict, but it makes sense. Then while writing this review I realised, hey wait a second, Wataru's the only thing stopping himself from spilling the beans about the dragons, and he's a kid! This punishment doesn't make much sense at all! And, frankly, I love that! It both sets up the actual plot going forward, and drives home the idea that these adults are making questionable decisions, they're irrational, and they're just priming the poor kid to watch his tongue at all times and then form some strong opinions about authority that he's going to have to unpack later.
I don't think I have quite as much to say about the next two chapters, but for getting the ball rolling with the start of Wataru's journey, they do the job well! Echoing the comment made elsewhere about the city never being far away in Kanto as a nice touch; the kid's had his whole life uprooted to go explore the world, the writing here speaks to this wide-eyed outlook where he's got so much to get used to, and I think you do a great job of making that contrast between the isolated village he's known for so long and the more industrial world he's having to get used to. I also appreciate that you've found a way to make those first two badges interesting parts of his character arc, and you do a good job of reinforcing the dancing motif in chapter three (which was just all-around very charming! Seeing Wataru faced with the gyarados and figuring out a way to work together with that big lug was very sweet, and you do a good job of capturing that magic that draws me to the games -- this little kid experiencing firsthand, and being mesmerised by, the scale of the world around him as he participates in it). All in all: good stuff. Also, I like the pacing here; it feels... I don't know if episodic is quite the word I'm after, but I like how we're learning about the start of his journey in slow, almost awkward, detail. Adds to the feel of our protagonist being a fish out of water. Or a ryu out of Ryu's Gift, I guess.
Can't really think of many real quibbles that I had with this. Like, this isn't really an actionable thing, but I thought Toku evolving so early on was an odd move in terms of pacing; I understand why you did this (the line about this being the last year he'd wear the miniryu's blue in the first chapter came to mind), but I think I would've liked to see this link made clearer at the end of the chapter (the comment about him being closer to home yet further away was... serviceable, I think, but I think it's a point that's already pretty clear by that point). Either way, it's not a huge deal, I think. Scanning back over it there were really only two other lines that struck me as a little off, and one was because of spelling:
I understood the intent with this passage, and I think his trepidation here would work better if it was the first time he'd heard dragonite as the word for kairyu. It lost its impact for me though; it felt like he already knew this before, and he did! Airi calls them dragonite in the first chapter and he makes that exception. I think this reads as him hearing that word for the first time again, and it feels out of place."[...] A wave broke over the decks and a vicious wind tore through the sail. All would have been lost then, if not for the dragonite."
"Dragonite?" Wataru said with a start. That was the name from the book . . .
The old woman smiled. Her eyes had fallen closed as she spoke, as if seeing the sequence play out behind her eyelids. "Yes, a dragonite. [...]"
Should be vendor."That's an apricorn ball. Speciality of Azalea—I noticed one of their venders at the market.
...That's pretty much it! On the whole, this is a really excellent start, and I'll definitely have to get back to where I remember being (but might not have been) last time. I'm glad I took up the opportunity to leave my thoughts on this, and I'm very invested in what's in store for our little hero as he sprouts wings and grows into his own. Cheers for writing!