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Pokémon No Quarter

Pen

the cat is mightier than the pen
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No Quarter
A decade or so before the world goes screaming to hell in a handbasket, an evening in Nina’s Saloon.

This fic was written as a prize for @unrepentantAuthor for Review Blitz.

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Outside of harvest season, when half the world seemed to roll through Frontier Town, Nina’s Saloon rarely reached capacity. There were the regulars, of course: withered old Maractus Jed, hunching in the light that strained through the saloon’s irregularly replaced window paper; the aipom twins, always ready to go a round of sticks and feathers with weighted dice; silent Heracross Hank, already on his third whiskey—well, no one held it against him, not after how his husband passed so sudden in the winter; and Emolga Ada, gnawing loudly at her bowl of nuts, who proclaimed herself a story-teller to everyone she met (but obtained less kind epithets from her involuntary audiences).

On Friday evenings, the workers came straggling in, sweaty and steaming as the sun simmered down. Girafarig Nina clomped between them, guiding mugs through the air with a mild psychic and fielding complaints from the growing crowd.

“Your ale’s hotter than a magmar’s ass tonight, Nina.”

“Can’t change the weather, can I, Jeremy.”

“Gracie always kept the ale cool.”

“Well, Princess Gracie’s moved on to greener pastures, hasn’t she.”

The glaceon had taken off before the real heat set in, and Nina still hadn’t forgiven the little chit for it. She rounded another table and came upon the only faces she didn’t recognize—strangers, and two of them at that. The first fellow was a jumpy monferno, who had her repeat the drinks menu twice before ordering a plain mug of ale.

The second stranger was properly strange. He wore a starched cravat that climbed the length of his skinny neck and a dark overcoat that covered the rest of him, long in the sleeves and sweeping to the floor. A top hat sat on his head. Between cravat and top hat, the only visible anatomy was a pair of oversized, yellow-lidded eyes and a jutting blue snout—an inteleon.

Nina didn’t make a habit of lingering on her customers’ eccentricities, but the whole get-up left her perplexed. She was sweating buckets in her simple bustle and wide-sashed shirt. For a water-type, in this heat—well, fashion made folks silly, and that was a fact.

The inteleon raised his head long enough to order a club soda in a reedy, listless voice, then went back to hunching over the table. She wondered vaguely what had brought him here and where he was going, but a barkeep learned to keep unwanted questions to herself.


Frontier Town, they called it, but it hadn’t been the frontier for a long time, not even when she’d first arrived as a calf, hitched to a wagon that had broken down on the outskirts of town. A stretch to call it a town, that scattered collection of tents and huts, their wood scavenged from the abandoned wagons that littered the plains.

They’d camped there three nights in the velvet darkness, broken only by the occasional yellow glint from the hilltops. The ever-watchful Escarpa clan, Nina knew now. But back then, the eyes had seemed as threatening as they were inexplicable. She had huddled by the cinders of the campfire and, for the first time since fleeing home, sent a silent prayer to Za’atal, the first girafarig, who stood so tall that each time he woke he knocked the moon out of the sky. From his towering height, he saw all the evil in the world and stomped it out with iron hooves.

By the morning of the third day, it had been decided, not out of any great conviction, but from sheer, all-consuming exhaustion: their journey west was over. No one had bothered asking Nina whether she wanted to stay or go.

If they had asked, she wouldn’t have known how to answer. “Take me west,” she had demanded, because west meant movement: it meant being so bone-weary from the day’s march that you slept without dreams through the night. It meant a journey without an end—only, every journey ended. Every gallop slowed into a walk. Sometimes Nina thought that was the wisdom they shared, everyone who had settled here on their way to somewhere else. It was their mutual, unspoken secret: your destination is just the last place you stop.

“Barkeep!”


Nina shook off her contemplative haze and loped over to take the batch of orders. Four decades had brought her from serving girl to queen of her own establishment. It didn’t pay to dwell on the past. The new arrivals included Medicham Bartholomew—Nina double-checked that her psychic sense was well and truly locked down. It was never pleasant to catch second-hand drunkenness off her customers.

As she lugged out another pitcher of sangria, she noticed the monferno signaling for a refill.

“Pay as you go,” Nina grunted at him. She wanted to see some coin before she let him start a tab. His spiffy scarlet hat looked new, but with strangers, you never could be sure. “Two quarters for the first one.”

The monferno’s companion lifted his head. His eyes snapped onto her face.

“Barkeep,” he said sharply. “Those gentlemon were only charged one quarter.”

His stick-like finger jabbed towards a nearby group of builders.

Taken aback, Nina stared. Her saloon didn’t have any prices up on the walls: the locals had their rate, and passersby had theirs. That was just business.

“Different size,” she blustered. And when the inteleon’s gaze tracked coldly and precisely from the monferno’s mug to the five identically sized ones at the builders’ table, she extemporized, “Different vintage.”

“It’s true,” Drilbur Bengy pitched in from the table. Nina could have kissed him right on the tip of his wet, disgusting nose. But her friendly feeling curdled a moment later, when he added, “Mine tastes like straight ponyta piss. You get what you pay for.”

And he winked.

Laughter gusted through the bar. Nina nailed each of her regulars with a glare. Ponyta piss her left hoof! If they wanted frou-frou ciders, all they had to do was trot on over to the Aspens’s place and waste a week’s working wage on a cutiefly-sized cup of mashed berries. You get what you pay for, indeed!

The monferno laid a quelling paw on his companion’s arm.

“See, Nolan? Not a problem.” He chuckled nervously, becoming aware of the crowd’s new interest. “Not a problem,” he repeated in a louder voice, as if that would be enough to disperse the accumulating gazes.

Nina knew better. The strangers had seized the spotlight and the saloon wasn’t about to let them off the stage.

“Traveled a long way, have you, sirs?” a nearby worker began.

“How about a game of chance, sirs?” chorused the aipom twins.

“Mighty hot in that coat, aren’t you, sir?”

But one voice rose above them all.

“This is a famous place, you know,” the voice piped from the rafters. Emolga Ada glided into the air and landed on the edge of the strangers’ table, her tiny arms splayed out theatrically. “This is, in fact, a very historical place.”

The saloon became busy with silent eye-rolling.

Maractus Jed, who had shed his manners along with final blossoms when he turned seventy, didn’t limit himself to silent commentary. “Yer full of shit, Ada,” he called out, backed by a few encouraging whoops.

The emolga adjusted her bowtie. “Au contraire. A pity your sedentary lifestyle has limited your perspective, my dear Jed.”

“Oh, let her say her piece,” someone else called out, and the muttering gradually subsided.

“You’ll have to forgive them,” Ada said primly to the strangers. “They aren’t very well educated.”

This remark brought forth a fresh indignant roar, but the little emolga had the patience of a steelix.

“Right,” she said, once the table-pounding had subsided. “Where was I? Ah, yes. I’m sure educated gentlemon such as yourselves are apprised and aware of those significant deities, variously called the Guardians of Progress and Truth, the Harmony Trio, and the Tao Dragons. And it would not be new knowledge to such distinguished persons, that while the souls of these hallowed beings are, without doubt, eternal, their bodies are less able to withstand the harsh winds of time. So it came to pass that Zekrom the Enlightened felt her body weakening and sensed that the time had come to seek out a new host. Had I more time, I would regale you with the full wonder of her travels, which were beset with both dangers and marvels—”

A few audible groans rose from the nearby tables.

“—but, not wishing to trespass upon your inestimably valuable time, sirs, I will be brief.” She sucked in an eager breath. “It surely has not escaped your notice that these lands are home to more folk than the esteemed inhabitants of our very own Frontier Town. Perhaps you sighted these noble savages as you crossed the highlands—the dignified and dangerous Escarpa Clan, who have prowled these plains since time immemorial, heedless of the progress of civilization and the advances of rational and right-thinking folk. It saddens me, as a fellow mon of electrical persuasion, to witness the state of them, adorned only with crude beaded bracelets and living only with the most basic of amenities. But there is no denying, sirs, that they are a strong and hearty folk. And there is one among them whose name still strikes terror into many hearts: I speak, of course, of the famed Sierra Escarpa!”

An uneasy murmur rippled through the listening crowd. The inteleon slowly raised his head.

“Ah hah! I see the name is not new to you, esteemed sir! Yes, that daring troubadour does indeed hail from the wild reaches of Frontier Town. Her tale, told right, would fill several lengthy tomes. Raised rough and wild, and it is true, most rough and wild in both appearance and manner, she nonetheless possesses within that fearsome exterior a heart of beating gold. When she was young, she ventured far and wide in the company of a human-spirit braixen—another name well known to Frontier Town, for he is, of course, our very own Sheriff Jesse. Together, they fought the most dastardly and vicious of evil-doers and regained several sacred relics of great significance. But I digress,” the emolga said hastily, as a few of her listeners mimed exaggerated yawns. “All this to say, that it is no surprise that Sierra Escarpa’s exploits reached even the ears of the gods.

“Great Zekrom descended among the barren scrapings of the Escarpa clan—oh, what would I not have given to witness it first-hand! The sky blazed like a living diamond and all the air burst with glorious crackling light. The Escarpans, I must disclose, were not overawed by this display. They are a sober-spirited people, though of course prone to the fits of violence and derangement that are the lamentable burden of barbarous folk. But the Escarpans knew a great goddess when they saw one and made her an energetic show of honor. A great feast ensued—one doesn't like to inquire too closely into the fates of passing travelers when the Escarpans make merry! But when all this festivity had wound down, the goddess came to the point.”

“Wish you would!” Jed called out as she paused for breath.

Ada directed a glare at her heckler, but didn't break stride.

“‘Noble Sierra Escarpa,’ spake the goddess, ‘you are fierce of body and true of heart. Will you not join your strength with mine and be my wings and my spark?’

“What greater honor could be imagined? What more could a child of the rough scrublands aspire to, than to assume the form of a god? After all, the Lightning Dragon is not your run-of-the-mill tree-shaker. She stands for the very light of civilization, the pinnacle that all right-thinking mon aspire towards. She is the light-house that guides the way across the riotous sea of primitive anarchy.

“But Sierra Escarpa faced the goddess and in a low voice like the rumble of the earth—she refused.

“‘But why?’ asked the baffled goddess. ‘What is it you have here that surpasses the life of a living god?’

“Sierra Escarpa, who, unlike your humble narrator, does not enjoy the capacity for eloquent and flowing speeches, answered her with three simple words:

“‘Husband. Child. Clan.’

“And the goddess understood! Sierra Escarpa had found her own path to civilization—the love of a good and educated man. If she left now, she would not be able to share those gifts with her progeny and lead her proud and savage folk into the light of the new age. For that, she was willing to sacrifice the life of a god.”

The emolga paused to revel in her audience’s momentary silence. “I tell you, I heard this tale straight from the mouth of Sierra Escarpa herself—”

Like a bursting dam, the saloon broke into a clamor.

“Complete, utter poppycock!”

“Frankly, it’s embarrassing.”

“Ada, she’d disembowel you as soon as look at you.”

The emolga spun to face her accusers. “Ask her! Ask her! She won’t deny it.”

“No, she won’t, and that’s because she never says a damned word.”

Ada huffed and turned back to the strangers. “Kind sirs,” she said in a sweeter tone, “if this tale of gods and love has lifted your spirits and delighted your souls, a quarter for a hard-working bard would not be remiss.”

The inteleon stood.

He was tall—no longer hunched, the tip of his tophat scraped the rafters.

Love,” he sneered, and spat onto the floor. “Bard, you feign an interest in science, so I will speak to you scientifically. You describe to me a pokemon who has partnered with a human, going forth to accomplish great feats. But you err gravely to credit her for those feats and err inexcusably to call that partnership love.

“By now the phenomenon has been fully chronicled and understood: a pokemon in the presence of a human gains rare benefits. Her strength doubles. Her endurance grows. New vistas open before her, vistas of power she could never have reached on her own. And what does such a pokemon give in exchange for this elevation? She gives nothing except the feeble, falsifiable coin of sentiment. You see, what I describe is parasitism, not partnership.”

“Easy, Nolan,” whispered the monferno, his smile wide and fixed. The longer Nina looked at it, the more it resembled the rictus of a skull.

“Parasitism,” repeated the inteleon. His eyes shone like lanterns without shutters and something hard and cold emanated from him—Nina realized with a start that she’d let the guard on her psychic sense slip. It was like a mallet beating against her mind, this emotion that was blunter than disdain. He hated her, she thought as their eyes met, but he hated her without knowing her: she represented something wholly abhorrent to him.

“Here now,” she heard an unsure voice begin, “don’t think the sheriff would approve your talking like that, sir.”

The inteleon’s face went blank. “A deluded man is like a drunk. But one day he will sober. Come on, Dakota. There’s nothing for us here. Barkeep. What do we owe you?”

Nina felt sick. Her head swum and her legs, always so steady, seemed ready to give in. But with a sudden burst of mutiny she flared her nostrils and said, “Dime for the soda, sir, two quarters for the beer.”

He threw down the change with a dismissive clatter, and then they were gone. The last she saw of them was the inteleon’s top hat, lit like a flaming hilltop by the final beams of the sun.

It was a subdued evening, after that.

“Strange folk,” each mon murmured as Nina refreshed their mugs. “Strange folk,” and no more. Even Ada brooded tight-lipped in the rafters.

When the last stragglers had been chased out, Nina puttered around the saloon, washing mugs and straightening chairs—all her usual chores, but performed under a cloud she couldn’t seem to shake. Periodically, she glanced out the window, where the night was sweltering and perfectly still. For the first time in decades, she wondered about the world that lay beyond the town limits.

And despite herself, she felt afraid.
 
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Adamhuarts

Mew specialist
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So, I'd heard about this oneshot before and the fact that it takes place in the same universe as Jackie's pmd fiction was of great interest to me. So, here I am checking it out now.

To preface this, I absolutely enjoyed reading through this oneshot. As always you have a way of painting fluid and enchanting prose, Pen. I was hooked right from the first sentence and at times I found myself saving some phrasings and descriptions because of how good they were :p

As for the story's plot itself, it was pretty small and simple on the surface. What I enjoyed most about this were the interactions, the descriptions and mannerisms of the characters and most especially the lore elements sprinkled here and there. It's the kind of thing I enjoy reading. I have no idea who that Inteleon guy is, but he most certainly left an impression here from the way you wrote him. Everything from his appearance to his dialogue was pretty well done. That bit about his eyes shining like lanterns without shutters particularly stuck out to me, as well as the Psychic reading Nina got off of him. If this was a chapter in a longer series introducing a new villain, I'd say you did your job spectacularly.
 

Dragonfree

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Read this yesterday and quite enjoyed it! Loved the worldbuilding flavor and characterization from small details, the touches of humour, and in particular the different ways you show bigotry manifesting. Ada's whole noble savage thing, a sort of admiration for Sierra while also deciding clearly what's happening is her human-souled husband is civilizing her and she has nobly decided yes she must let him civilize her instead of pursuing legendary ascension, versus Nolan's assertion that she's simply a parasite on her human partner. And Nolan, of course, seems not so much interested in the other Pokémon's distinction between their rational civilization and the Escarpas - they're all parasites to him. I like him speaking of science to justify his view, seizing upon Ada's professed belief in reason - just these little things that ring very true to this society and what's going on.

I also just enjoyed Nina's POV - commenting on how fashion makes folks silly, how it's just natural to have one price for the locals and another for tourists, the little glimpse at how she came there and Girafarig mythology.

All in all, a lovely, well-written one-shot that does a lot in a short space to establish a setting and rich flavor. Nice work!
 

Venia Silente

For your ills, I prescribe a cat.
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I grabbed this story without knowing any of the context. I just thought it'd be interesting to see what a gift fic is like, and it has some PMD.

We start with a saloon that is, frankly, something I had not given thought to in the context of PMD stories. Gotta waste yourself somewhere fancy (or not) after capitalism, after all! So it's nice to see what both Nina and her clientèle are like.

“Gracie always kept the ale cool.”

“Well, Princess Gracie’s moved on to greener pastures, hasn’t she.”

The glaceon had taken off before the real heat set in, and Nina still hadn’t forgiven the little chit for it.
Enough of a context of things I don't know *and* the characters having an attitude about it, that works as an invite to read more of the stories set in this world :p

Nina has two extra clientèle tonight, one of them an Inteleon that seems to have gotten the weather report from the opposite hemisphere. Whatever, if the Pokémon is happy and is paying their rounds, the better.

She wondered vaguely what had brought him here and where he was going, but a barkeep learned to keep unwanted questions to herself.
Which is funny because in media, the bartenders are the ones who end up being told ALL the secrets around town anyway. And, as El Mariachi shows, that sometimes means the bartender *doesn't* survive a shootout.

Let's hope nothing bad happens here, though I'm presuming with the heat about, mons are not really in the mood for stirring up trouble.

and, for the first time since fleeing home, sent a silent prayer to Za’atal, the first girafarig,
Lore building! I like it. I wonder where does it draw from if any, because the description seems to remind of the lore behind some personalities in the folklore of Persian and Indian regions.

It was never pleasant to catch second-hand drunkenness off her customers.
Not unless you're hired as security, but this canteen doesn't seem to have any. Again, with this heat, it doesn't look like it'll *need* any, I feel like some of the Pokémon here might be already melting.

Bengy: “Mine tastes like straight ponyta piss. You get what you pay for.”
Besides the levity added to the situation, can I also ask if this means there's also gay ponyta piss? XD

Nina lords her establishment well enough, and considering the narration says she's spent a few decades here she better, in particular when there's irregulars around. I see the Monferno tries to do their part by drawing aggro away from the situation but we all know how *well* that works in a canteen.

Reminder: the bartender doesn't always survive the shootout.

Ada: "Ah, yes. I’m sure educated gentlemon such as yourselves are apprised and aware of those significant deities, variously called the Guardians of Progress and Truth, the Harmony Trio, and the Tao Dragons."
More lore! Also: lol @ calling this trio the Harmony Trio, considering depending on canon one of them is always trying to kill, consume or absorb one of the other two. But goes to show, added to the Tao denomination, there's lots that can be done with various Legendaries.

Ada: "And there is one among them whose name still strikes terror into many hearts: I speak, of course, of the famed Sierra Escarpa!”
Ah yes, the infamous and terrorific bandit, Wall of Mountainline! Spanish be funny like that, but it is quite an indicative of the worldbuilding here that this villainous figure has a name structured the same way Pokémon names seem to be structured here: the first name is indicative of a grouping or a collective (a sierra as in a mountainchain or a mountainline) and the second name a facet or element in the individuality (escarpa as in the angled wall of a particular mountain).

I *think* Escarpa is also the name of a serrated (heh) sword in an anime series about magic-sword forgers and monsters that become humans as they evolve? My memory is hazy on the details but if so, even more interesting.

Anyway, we learn that the fabled Sierra Escarpa was once a local hero, human-affiliated in the ways of PMD stories tend to do (I can only hope she did not experience a Explorers-style end-of-partner). Time passed and Zekrom descended among her clan, to speak to her, and offer her joining into Zekrom's ranks.

And Sierra Escarpa refused because of family. Cute. o3o

The emolga paused to revel in her audience’s momentary silence. “I tell you, I heard this tale straight from the mouth of Sierra Escarpa herself—”

Like a bursting dam, the saloon broke into a clamor.

“Complete, utter poppycock!”
Oh my, it seems the tale is contested! Of course this would happen in a place like this, evenmore if the main character of the tale, as we are told, won't speak about it.

Ada huffed and turned back to the strangers. “Kind sirs,” she said in a sweeter tone, “if this tale of gods and love has lifted your spirits and delighted your souls, a quarter for a hard-working bard would not be remiss.”
And I can now see where the story is headed, title-wise.

The Inteleon seems to have his own mind set on the tale, speaking to consider the relationship between a previously wild mon and a human "parasitism".

I could see, perhaps, Sierra Escarpa be reasonably offended at the suggestion. But it seems the sheriff would be offended as well if she was around here, which she might be.

He hated her, she thought as their eyes met, but he hated her without knowing her: she represented something wholly abhorrent to him.
Must be a "self-made mon" / classist equivalent to the kind of people we have here IRL. They tend to hate the working class for the mere fact that their existence means people need rights, if not for even lesser reasons.

WHatever the case, the suggestion of the sheriff finding out quickly and rather drastically defuses the situation. The Inteleon and his partner end up paying their drinks (I would have charged them extra <_<) which is nice because they end up paying *two* quarters rather than no quarter, and off they go.

Off they go into the sunset, to carry on on who knows what adventure? And he better not be found out by the Escarpas, for it would be reasonable that news about his... aprehensions on mon relationships might be caught by the Escarpas from the winds.

As for Girafarig Nina... I wonder if I'm seeing either an invitation to adventure, or the lament of the adventures of yore. As I'm reading this standalone at the moment, possibilities are endess, yet the main character is fearful to take the first step towards them. Perhaps with reason, but fearful still.


All in all a good time-grabbing oneshot. It's the kind of story where "nothing happens" yet it's made the more for it. Nifty cues for worldbuilding, I feel like asking to donut steel a thing or two; and definitively an interesting scenario that we don't see much of in Pokémon stories, used here pretty well.
 
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Okay, going into this mostly blind other than that I know it’s set in Heartache’s setting and is from the perspective of Brisa’s father. Who I distinctly remembered not being particularly sympathetic. But weirder things have happened before in terms of developing sympathy as a reader, so let’s just jump in and see where things go from here.

Outside of harvest season, when half the world seemed to roll through Frontier Town, Nina’s Saloon rarely reached capacity. There were the regulars, of course: withered old Maractus Jed, hunching in the light that strained through the saloon’s singular, irregularly washed window; the aipom twins, always ready to go a round of sticks and feathers with weighted dice; silent Heracross Hank, already on his third whiskey—well, no one held it against him, not after how his husband passed so sudden in the winter; and Emolga Ada, gnawing loudly at her bowl of nuts, who proclaimed herself a story-teller to everyone she met (but obtained less kind epithets from her involuntary audiences).

I mean, at least the place can afford proper glass panes instead of having to use greased paper for windows? So the place has got some degree of pomp for a place out in the boonies. Though I like the introduction, it gives a feel of a rabscrabble town with folks that everybody knows, while at the same time being a bit rough around the edges given that people sometimes just get life’s threads cut short all of a sudden.

I do wonder if this would’ve worked a bit better as distinct sentences without the semicolons, but eh. That’s a stylistic nitpick.

On Friday evenings, the workers came straggling in, sweaty and steaming as the sun simmered down. Girafarig Nina clomped between them, guiding mugs through the air with a mild psychic and fielding complaints from the growing crowd.

“Your ale’s hotter than a magmar’s ass tonight, Nina.”

“Can’t change the weather, can I, Jeremy?

Nina: “Also, do I want to know how you know how hot a Magmar’s rear end is?”
:what:


“Gracie always kept the ale cool.”

“Well, Princess Gracie’s moved on to greener pastures, hasn’t she?

Boy is this chick lucky she has a captive audience, since that’s a long way from ‘service with a smile’ there.

The glaceon had taken off before the real heat set in, and Nina still hadn’t forgiven the little chit for it. She rounded another table and came upon the only faces she didn’t recognize—strangers, and two of them at that. The first fellow was a jumpy monferno, who had her repeat the drinks menu twice before ordering a plain mug of ale.

Nina: “... How did I get stuck in this job again?”
:gardexhausted:


The second stranger was properly strange. He wore a starched cravat that climbed the length of his skinny neck and a dark overcoat that covered the rest of him, long in the sleeves and sweeping to the floor. A top hat sat on his head. Between the cravat and top hat, the only visible anatomy was a pair of oversized, yellow-lidded eyes and a jutting blue snout—an inteleon.

Nina: “... Wait, who on earth wears a cravat in a western town?”
:what:

Inteleon: “I do, though weren’t you going to ask me for my order?”

Nina didn’t make a habit of lingering on her customers’ eccentricities, but the whole get-up left her perplexed. She was sweating buckets in her simple bustle and wide-sashed shirt. For a water-type, in this heat—well, fashion made folks silly, and that was a fact.

… Wait, but isn’t Nina a Girafarig? What on earth does a shirt look like for them when in a quadrupedal stance?

The inteleon raised his head long enough to order a club soda in a reedy, listless voice, then went back to hunching over the table. She wondered vaguely what had brought him here and where he was going, but a barkeep learned to keep unwanted questions to herself.

Not least of all since asking questions sounds like a fast way to get sucked into something like Outlaw business and get knocked off for knowing too much. ^^;

Frontier Town, they called it, but it hadn’t been the frontier for a long time, not even when she’d first arrived as a calf, hitched to a wagon that had broken down on the outskirts of town. A stretch to call it a town, that scattered collection of tents and huts, their wood scavenged from the abandoned wagons that littered the plains.

Oh, so civilization has been advancing further and further out into the wilderness. Wonder if there’s also a dynamic of conflict with “those who were here before us” in this setting.

They’d camped there three nights in the velvet darkness, broken only by the occasional yellow glint from the hilltops. The ever-watchful Escarpa clan, Nina knew now. But back then, the eyes had seemed as threatening as they were inexplicable. She had huddled by the cinders of the campfire and, for the first time since fleeing home, sent a silent prayer to Za’atal, the first girafarig, who stood so tall that each time he woke he knocked the moon out of the sky. From his towering height, he saw all the evil in the world and stomped it out with iron hooves.

I see a namedrop there for part of Brisa’s family. Though Za’atal sounds fascinating as a mythological figure. Was that shared with you as part of worldbuilding notes for this piece, or did you come up with it on the spot?

By the morning of the third day, it had been decided, not out of any great conviction, but from sheer, all-consuming exhaustion: their journey west was over. No one had bothered asking Nina whether she wanted to stay or go.

Nina: “... Not that I’d really have been in the mood to keep going, honestly.”
:ohnowen:


If they had asked, she wouldn’t have known how to answer. “Take me west,” she had demanded, because west meant movement: it meant being so bone-weary from the day’s march that you slept without dreams through the night. It meant a journey without an end—only, every journey ended. Every gallop slowed into a walk. Sometimes Nina thought that was the wisdom they shared, everyone who had settled here on their way to somewhere else. It was their mutual, unspoken secret: your destination is just the last place you stop.

Well, nevermind then. Someone certainly rolled the wrong job given that sense of wanderlust peeking through.

“Barkeep!”

Nina shook off her contemplative haze and loped over to take the batch of orders. Four decades had brought her from serving girl to queen of her own establishment. It didn’t pay to dwell on the past. The new arrivals included Medicham Bartholomew—Nina double-checked that her psychic sense was well and truly locked down. It was never pleasant to catch second-hand drunkenness off her customers.

Wow, I hadn’t pegged Nina as having been around for so long. Though ‘secondhand drunkenness’ sounds like a real trip to endure. And like a way to not be popular for parties.

As she lugged out another pitcher of sangria, she noticed the monferno signaling for a refill.

Wait, is Frontier Town an oasis or something? I’m surprised that they’ve got the resources to make sangria given that it’s built around red wine. Though then again, I suppose there’s always a few whales in any business.

“Pay as you go,” Nina grunted at him. She wanted to see some coin before she let him start a tab. His spiffy scarlet hat looked new, but with strangers, you never could be sure. “Two quarters for the first one.”

The monferno’s companion lifted his head. His eyes snapped onto her face.

“Barkeep,” he said sharply. “Those gentlemon were only charged one quarter.”

Minor suggestion, but if you want to lean into the western setting a bit harder and make Nina’s line a bit punchier, you could always roll “four bits” in place of “two quarters” and “two bits” for “one quarter” if you want less explicitly “US Currency” terms. Since in terms of a Western-themed setting, it was decently a decently common feature of monetary slang in the US in the 19th century since once upon a time people would cut up Spanish Dollars into eight pieces to make small purchases.

His stick-like finger jabbed towards a nearby group of builders.

Taken aback, Nina stared. Her saloon didn’t have any prices up on the walls: the locals had their rate, and passersby had theirs. That was just business.

Nina: “They’re taking advantage of a customer loyalty program?”
:joltyshrug~1:


“Different size,” she blustered. And when the inteleon’s gaze tracked coldly and precisely from the monferno’s mug to the five identically sized ones at the builders’ table, she extemporized, “Different vintage.”

Inteleon: “...”
:eltyunamused:

Nina: “Look, the vintages are tied to the customer loyalty program, okay?”

“It’s true,” Drilbur Bengy pitched in from the table. Nina could have kissed him right on the tip of his wet, disgusting nose. But her friendly feeling curdled a moment later, when he added, “Mine tastes like straight ponyta piss. You get what you pay for.”

And he winked.

Nina: “Bengy, how the hell do you know what Ponyta-?”
:what:

Bengy: “(Oi, just play along with it, Nina. Tryin’ to help you out here.)”

Laughter gusted through the bar. Nina nailed each of her regulars with a glare. Ponyta piss her left hoof! If they wanted frou-frou ciders, all they had to do was trot on over to the Aspens’s place and waste a week’s working wage on a cutiefly-sized cup of mashed berries. You get what you pay for, indeed!

Oh, so Nina’s business model is ‘cheap, but plentiful’, huh? I mean, she’s at least sangria, so she’s probably above plying bathtub gin? ^^;

The monferno laid a quelling paw on his companion’s arm.

“See, Nolan? Not a problem.” He chuckled nervously, becoming aware of the crowd’s new interest. “Not a problem,” he repeated in a louder voice, as if that would be enough to disperse the accumulating gazes.

Oh, so Nolan’s the Inteleon, huh?

Nina knew better. The strangers had seized the spotlight and the saloon wasn’t about to let them off the stage.

So… time for a drunken bar fight? Since this sounds like it’s time for a drunken bar fight.

“Traveled a long way, have you, sirs?” a nearby worker began.

“How about a game of chance, sirs?” chorused the aipom twins.

“Mighty hot in that coat, aren’t you, sir?”

Nolan: “I can already tell coming here was a mistake.”
:gardexhausted:


But one voice rose above them all.

“This is a famous place, you know,” the voice piped from the rafters. Emolga Ada glided into the air and landed on the edge of the strangers’ table, her tiny arms splayed out theatrically. “This is, in fact, a very historical place.”

Everyone Else: “...”
:grohno~1:

Nina: “(Seriously, the one day that I decide to sandbag hiring an assistant with Sleep Powder.)” >_>;

The saloon became busy with silent eye-rolling.

Maractus Jed, who had shed his manners along with final blossoms when he turned seventy, didn’t limit himself to silent commentary. “Yer full of shit, Ada,” he called out, backed by a few encouraging whoops.

Nolan and the Monferno are going to insist on hearing this anyways, aren’t they?

The emolga adjusted her bowtie. “Au contraire. A pity your sedentary lifestyle has limited your perspective, my dear Jed.”

“Oh, let her say her piece,” someone else called out, and the muttering gradually subsided.

Everyone Other than Random #1:
whywouldyoudothat.jpg

Random #1: “What? They’re good stories!” ^^

“You’ll have to forgive them,” Ada said primly to the strangers. “They aren’t very well educated.”

Fat lot your education did if you’re here plying stories to half-drunken day laborers, lady.
:eltyunamused:


This remark brought forth a fresh indignant roar, but the little emolga had the patience of a steelix.

“Right,” she said, once the table-pounding had subsided. “Where was I? Ah, yes. I’m sure educated gentlemon such as yourselves are apprised and aware of those significant deities, variously called the Guardians of Progress and Truth, the Harmony Trio, and the Tao Dragons. And it would not be new knowledge to such distinguished persons, that while the souls of these hallowed beings are, without doubt, eternal, their bodies are less able to withstand the harsh winds of time. So it came to pass that Zekrom the Enlightened felt her body weakening and sensed that the time had come to seek out a new host. Had I more time, I would regale you with the full wonder of her travels, which were beset with both dangers and marvels—”

… Wait, is Ada meant to be motor mouthing all of this? Since admittedly, it’s kinda a dense read here. If not, it might make sense to hack this up into at least two paragraphs and have her get theatrical in between the two if that’s in-character for her.

Though “new host”, huh? So Legendaries in this setting are “promoted” like in Crashing Fate? That’s a take that I don’t see often.

A few audible groans rose from the nearby tables.

How many times has Ada told this story anyways?
:loltias:


“—but, not wishing to trespass upon your inestimably valuable time, sirs, I will be brief.” She sucked in an eager breath. “It surely has not escaped your notice that these lands are home to more folk than the esteemed inhabitants of our very own Frontier Town. Perhaps you sighted these noble savages as you crossed the highlands—the dignified and dangerous Escarpa Clan, who have prowled these plains since time immemorial, heedless of the progress of civilization and the advances of rational and right-thinking folk. It saddens me, as a fellow mon of electrical persuasion, to witness the state of them, adorned only with crude beaded bracelets and living only with the most basic of amenities. But there is no denying, sirs, that they are a strong and hearty folk. And there is one among them whose name still strikes terror into many hearts: I speak, of course, of the famed Sierra Escarpa!”

:absus:


My respect for this ‘mon just fell through the floor. Though I suppose that’s a sign after all that “conflict with ‘those who were here before’” is indeed a feature of Heartache’s setting.

An uneasy murmur rippled through the listening crowd. The inteleon slowly raised his head.

“Ah hah! I see the name is not new to you, esteemed sir! Yes, that daring troubadour does indeed hail from the wild reaches of Frontier Town. Her tale, told right, would fill several lengthy tomes. Raised rough and wild, and it is true, most rough and wild in both appearance and manner, she nonetheless possesses within that fearsome exterior a heart of beating gold. When she was young, she ventured far and wide in the company of a human-spirit braixen—another name well known to Frontier Town, for he is, of course, our very own Sheriff Jesse. Together, they fought the most dastardly and vicious of evil-doers and regained several sacred relics of great significance. But I digress,” the emolga said hastily, as a few of her listeners mimed exaggerated yawns. “All this to say, that it is no surprise that Sierra Escarpa’s exploits reached even the ears of the gods.

Holy cats, how fast is this squirrel speaking at the moment? And how much does she sound like Alvin and the Chipmunks right now?

Though right, Brisa’s mom was supposed to be an accomplished one, guess this was her accomplishment.
“Great Zekrom descended among the barren scrapings of the Escarpa clan—oh, what would I not have given to witness it first-hand! The sky blazed like a living diamond and all the air burst with glorious crackling light. The Escarpans, I must disclose, were not overawed by this display. They are a sober-spirited people, though of course prone to the fits of violence and derangement that are the lamentable burden of barbarous folk. But the Escarpans knew a great goddess when they saw one and made her an energetic show of honor. A great feast ensued—one doesn't like to inquire too closely into the fates of passing travelers when the Escarpans make merry! But when all this festivity had wound down, the goddess came to the point.”

This is at once fascinating and
:hisssssss:
-tier in presentation. I presume that Ada’s meant to have a “good-natured, but unconsciously prejudiced” shtick, since if not, she really needs to take a long glide through a Zubat cave sometime. Preferably not long after the events of this one-shot.

“Wish you would!” Jed called out as she paused for breath.

Ada directed a glare at her heckler, but didn't break stride.

“‘Noble Sierra Escarpa,’ spake the goddess, ‘you are fierce of body and true of heart. Will you not join your strength with mine and be my wings and my spark?’

Nina: “(Note to self, get around to hiring that assistant ASAP.)” >_>;

“What greater honor could be imagined? What more could a child of the rough scrublands aspire to, than to assume the form of a god? After all, the Lightning Dragon is not your run-of-the-mill tree-shaker. She stands for the very light of civilization, the pinnacle that all right-thinking mon aspire towards. She is the light-house that guides the way across the riotous sea of primitive anarchy.

Why do I get the feeling that if I asked Sierra and her fellow clanmates, that their explanation would be “nah, Zekrom is the goddess of ‘haha, lightning go brrr on my enemies’”? Since nobody said that you needed to have an urbanized civilization to have strong ideals.

“But Sierra Escarpa faced the goddess and in a low voice like the rumble of the earth—she refused.

“‘But why?’ asked the baffled goddess. ‘What is it you have here that surpasses the life of a living god?’

“Sierra Escarpa, who, unlike your humble narrator, does not enjoy the capacity for eloquent and flowing speeches, answered her with three simple words:

“‘Husband. Child. Clan.’

inb4 Sierra did, just not in terms that would be intelligible to Ada. Since one of the fastest ways to sound like a complete idiot is to render an eloquent speech in a literal translation to a very structurally different one with no accounting for differences in grammar or sentence construction.

“And the goddess understood! Sierra Escarpa had found her own path to civilization—the love of a good and educated man. If she left now, she would not be able to share those gifts with her progeny and lead her proud and savage folk into the light of the new age. For that, she was willing to sacrifice the life of a god.”

>Jesse
>good and educated man

bender-laughing.gif


Though why do I get the feeling that this is not remotely close to what really went down between Sierra and Zekrom? Since this feels waaaaay too rose-tinted right about now.

The emolga paused to revel in her audience’s momentary silence. “I tell you, I heard this tale straight from the mouth of Sierra Escarpa herself—”

Like a bursting dam, the saloon broke into a clamor.

Live view of the saloon right now:

womanyellingcat-1573233850.jpg


“Complete, utter poppycock!”

“Frankly, it’s embarrassing.”

“Ada, she’d disembowel you as soon as she’d look at you.”

The emolga spun to face her accusers. “Ask her! Ask her! She won’t deny it.”

inb4 Sierra walks in right now with a look that would make an Orthworm keel over.

“No, she won’t, and that’s because she never says a damned word.”

Nolan: “Yeah, I’m just gonna get back to my club soda right now.”

Ada huffed and turned back to the strangers. “Kind sirs,” she said in a sweeter tone, “if this tale of gods and love has lifted your spirits and delighted your souls, a quarter for a hard-working bard would not be remiss.”

Nina: “Ada, I wouldn’t give a plugged nickel for that story! Seriously, do this somewhere where you won’t scare off my customers!” >_>;

The inteleon stood.

He was tall—no longer hunched, the tip of his tophat scraped the rafters.

Love,” he sneered, and spat onto the floor. “Bard, you feign an interest in science, so I will speak to you scientifically. You describe to me a pokemon who has partnered with a human, going forth to accomplish great feats. But you err gravely to credit her for those feats and err inexcusably to call that partnership love.

… Is this going to be like Power Trip where humans just inherently have a massive handicap in favor of being tactically savvy thanks to fundamentally different mental wiring?

“By now the phenomenon has been fully chronicled and understood: a pokemon in the presence of a human gains rare benefits. Her strength doubles. Her endurance grows. New vistas open before her, vistas of power she could never have reached on her own. And what does such a pokemon give in exchange for this elevation? She gives nothing except the feeble, falsifiable coin of sentiment. You see, what I describe is parasitism, not partnership.”

Yeah, this is like Power Trip all over again, except with a lot darker of an undertone for the ‘Pokémon companionship’ side of things.

“Easy, Nolan,” whispered the monferno, his smile wide and fixed. The longer Nina looked at it, the more it resembled the rictus of a skull.

Okay, so I had to look this one up, but I kinda wonder if there would’ve been a simpler way of saying this, given that this is that sort of “big, obviously fake and strained smile” one gives when trying to hide being unsettled or the like.

… Though now that I think about it, given that this guy is a monkey, maybe that’s less nervousness and more aggression. .-.

“Parasitism,” repeated the inteleon. His eyes shone like lanterns without shutters and something hard and cold emanated from him—Nina realized with a start that she’d let the guard on her psychic sense slip. It was like a mallet beating against her mind, this emotion that was blunter than disdain. He hated her, she thought as their eyes met, but he hated her without knowing her: she represented something wholly abhorrent to him.

… Did Nolan used to be a human’s partner or something? Since boy is he opinionated about human and Pokémon teamups right about now.

“Here now,” she heard an unsure voice begin, “don’t think the sheriff would approve your talking like that, sir.”

It’s Jesse, isn’t it?

The inteleon’s face went blank. “A deluded man is like a drunk. But one day he will sober. Come on, Dakota. There’s nothing for us here. Barkeep. What do we owe you?”

Oh, so Dakota is the Monferno, huh? Kinda wonder if we could’ve learned that a bit earlier on in the one-shot, but eh. It’s not that long of a read.

Nina felt sick. Her head swum and her legs, always so steady, seemed ready to give in. But with a sudden burst of mutiny she flared her nostrils and said, “Dime for the soda, sir, two quarters for the beer.”

For reference, if you do opt to go the “bits” route, a dime would be a “short bit” in that slang, since it’s not quite an eighth of a dollar, conversely fifteen cents has its own lingo as a “long bit”.

He threw down the change with a dismissive clatter, and then they were gone. The last she saw of them was the inteleon’s top hat, lit like a flaming hilltop by the final beams of the sun.

It was a subdued evening, after that.

Nina: “Can’t tell if I’m happy about him being a wet towel or not, really. At least it makes my job easier managing the drunks.”

“Strange folk,” each mon murmured as Nina refreshed their mugs. “Strange folk,” and no more. Even Ada brooded tight-lipped in the rafters.

When the last stragglers had been chased out, Nina puttered around the saloon, washing mugs and straightening chairs—all her usual chores, but performed under a cloud she couldn’t seem to shake. Periodically, she glanced out the window, where the night was sweltering and perfectly still. For the first time in decades, she wondered about the world that lay beyond the town limits.

And despite herself, she felt afraid.

Oh, well that’s a good omen for the future of Frontier Town, not.

So I gather that Heartache is supposed to be a western setting PMD, and honestly I thought that even with a limited wordcount, that you delivered on capturing the premise pretty well. It gave me good vibes of reading a friend’s deadfic way, way back in the day, which was set in a similar desert frontier town to the one used as a backdrop here.

The setting is the main star of the show, since the piece as a whole leans into the overall aesthetic of a Western setting pretty well while still feeling like it integrated Pokémon well. That includes some of the darker undertones of the background era, which sometimes go sugarcoated or glossed over. From things from Ada’s attitudes and the implication that “conflict with the people who came before us” is indeed a thing in this setting, I can tell that that won’t be the case for this setting and kudos on @unrepentantAuthor and you for being willing to go there thematically.

There’s also some absolutely fascinating worldbuilding and backstory on display here. Now part of it is that I’m just a sucker for worldbuilding at large as a reader and writer, but there were some things that really stood out to me. The Girafarig species deity that vibes somewhat Mesoamerican by name, and especially the implication that being in contact with humans can bring Pokémon past their natural potential in terms of strength and abilities. The Zekrom story was also neat, if with a heavy undertone of “yeah, things didn’t really go like that”. It’ll be interesting to see where that goes as more of this setting comes out into public view in various media and of course, the Heartache RP.

As for complaints, I don’t have too many, honestly. The one thing that I do kinda have a bone to pick with is Ada’s story of Sierra and Zekrom. Like I kinda get the idea of what it’s going for there Ada’s meant to be motor-mouthing things, but her blocks of dialogue are honestly big enough to the point that I had to go back and double-check to make sure that I wasn’t missing anything. I kinda wonder if meta-wise it’d have been better to come up with some sort of excuse for adding “pauses” to the story, like Ada taking a moment to get theatrical in front of the patrons or some funny background moments or something like that.

I also kinda wonder if the ending note could’ve been a bit stronger, or else if there could’ve been more built up to it. Maaaaybe I’m overlooking something from the text in my reading, but I’m not fully sure why it is that Nina is so worried at the end. Since I didn’t think that Nolan really brought up any stories of “thar be monsters” in the wilderness outside from the way he just completely dismantles Ada’s story. It makes me wonder if there’s some missing connections either in Nolan’s speech or in Nina’s internal thoughts, since I’m not fully sure how she got to that feeling of dread at the end.

Good work, and I’ll be keeping an eye on what other stories come out of this setting , @Pen . Whether it’s from you, from @unrepentantAuthor , or anyone else who gets given a chance to poke around with things. Since, hey, “Pokémon Western” in general is a rare bird in this fandom and a fun premise with a lot of potential, and the glimpse at the things to come for Heartache’s world are downright tantalizing.
 
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Hi, Pen! Goodness, I've wanted to review this one for a while. About time.

Where to begin? I think my favourite thing about No Quarter is the richness of the worldbuilding, melding ideas from me and ideas of your own with a spot-on vibe. Specifically, the way it's expressed through characters rather than narrated. Nina's observations about other 'mon, the distinctiveness not only of characters' opinions but their modes of speech, the implicit information communicated by details here and there, it's all lovely. Some of the parts that stood out most strongly to me were the hard-felt absence of an ice-type employee for cooling drinks, the concept of 'second-hand drunkenness', and everything about the 'enlightened colonialist' mileu.

Meanwhile, the prose was so proficient and deft and enjoyable that I believe I stopped registering it as material on which I could come up with a critical opinion, which is to say, I became too immersed to critique it. It's such dense storytelling told so efficiently that I couldn't even tally any critical notes as I read. The dialogue, too, is top notch in much the same way. The economy of language here is exemplary (except where Ada is speaking, but that is rather the point~).

This one's a good read in other ways, too – obviously I'm thrilled as the Heartache GM to get such gorgeous material in the continuity, but as a reader I found it charming when things were well, had my skin crawl at Nolan's xenophobic contempt, and snorted at various comedic lines. I recall particularly liking 'different vintage'. Nina's a delight. Love to have a character that's so easy to sympathise with over the shoulder while still being judgy and difficult in her way. I'm a huge fan of characters being people, and that's something done delightfully well in No Quarter, particularly in how evident it is that each speaker has their own takes and intentions and approaches to things even when they're on the same 'side'.

Thanks again for your incredibly diligent attention to this, it was well worth the wait when I read it and I have every intention of sustaining these characters in the campaign when the time comes.
 
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Review replies!

Thanks for stopping by @Adamhuarts and for your very sweet review. The line about the eyes shining like lanterns was a favorite of mine too!

Glad you enjoyed it, Dragonfree!

And Nolan, of course, seems not so much interested in the other Pokémon's distinction between their rational civilization and the Escarpas - they're all parasites to him.
Yeah, the whole thing's kind of an exercise in how people draw their in-group (civilized) lines. Ada feels very comfortably superior to the Escarpas, but the lines she's drawing make no difference to Nolan, who's operating in a human vs pokemon framework.

Hi Venia Silente, thanks for stopping by, especially for a story you didn't have context for. I'm glad it worked for you even without that context.

We start with a saloon that is, frankly, something I had not given thought to in the context of PMD stories. Gotta waste yourself somewhere fancy (or not) after capitalism, after all!
This is the second bar I've put in a PMD fic!

an Inteleon that seems to have gotten the weather report from the opposite hemisphere.
Or perhaps, dresses the way someone might dress who deeply dislikes their own body.

I wonder where does it draw from if any, because the description seems to remind of the lore behind some personalities in the folklore of Persian and Indian regions.
I wasn't drawing on any myth in particular, but I have read a lot of Indian mythology, so I wouldn't be surprised if that crept in. Pokemon mythology is my absolute favorite--so much potential.

Ah yes, the infamous and terrorific bandit, Wall of Mountainline! Spanish be funny like that, but it is quite an indicative of the worldbuilding here that this villainous figure has a name structured the same way Pokémon names seem to be structured here: the first name is indicative of a grouping or a collective (a sierra as in a mountainchain or a mountainline) and the second name a facet or element in the individuality (escarpa as in the angled wall of a particular mountain).

I *think* Escarpa is also the name of a serrated (heh) sword in an anime series about magic-sword forgers and monsters that become humans as they evolve? My memory is hazy on the details but if so, even more interesting.
Sierra Escarpa's not my creation, so I'll have to refer this discussion to Unrepentant Author!

Must be a "self-made mon" / classist equivalent to the kind of people we have here IRL. They tend to hate the working class for the mere fact that their existence means people need rights, if not for even lesser reasons.
I think I'd best describe him as a human supremacist. It doesn't matter what mon do, they are inherently lesser.

As for Girafarig Nina... I wonder if I'm seeing either an invitation to adventure, or the lament of the adventures of yore. As I'm reading this standalone at the moment, possibilities are endess, yet the main character is fearful to take the first step towards them. Perhaps with reason, but fearful still.
I don't think Nina's interested in leaving the town. But she's afraid of what might be coming to it.

Thanks for the memes and line reacts, Murkrow! The 'woman yelling at cat' meme was particularly well placed.

I mean, at least the place can afford proper glass panes instead of having to use greased paper for windows?
I like the greased paper approach! Might go back and edit that in.

Though Za’atal sounds fascinating as a mythological figure. Was that shared with you as part of worldbuilding notes for this piece, or did you come up with it on the spot?
That one's me. Random mythos is my thing.

Minor suggestion, but if you want to lean into the western setting a bit harder and make Nina’s line a bit punchier, you could always roll “four bits” in place of “two quarters” and “two bits” for “one quarter” if you want less explicitly “US Currency” terms. Since in terms of a Western-themed setting, it was decently a decently common feature of monetary slang in the US in the 19th century since once upon a time people would cut up Spanish Dollars into eight pieces to make small purchases.
That's really fun! I'll probably keep the current currency just for the sake of the titular pun, but I love the sound of 'bits'.

Nina: “They’re taking advantage of a customer loyalty program?”
There you go!

Fat lot your education did if you’re here plying stories to half-drunken day laborers, lady.
Isn't it noble of her to share her education with them?

So Legendaries in this setting are “promoted” like in Crashing Fate? That’s a take that I don’t see often.
Yep!

I presume that Ada’s meant to have a “good-natured, but unconsciously prejudiced” shtick, since if not, she really needs to take a long glide through a Zubat cave sometime.
Ada's a very progressive thinker. She thinks there's a lot we can learn to admire in savage races.

Why do I get the feeling that if I asked Sierra and her fellow clanmates, that their explanation would be “nah, Zekrom is the goddess of ‘haha, lightning go brrr on my enemies’”? Since nobody said that you needed to have an urbanized civilization to have strong ideals.


Though why do I get the feeling that this is not remotely close to what really went down between Sierra and Zekrom?
I don't know, I mean, Ada's a pretty reliable narrator.

Did Nolan used to be a human’s partner or something? Since boy is he opinionated about human and Pokémon teamups right about now.
Try, used to be a human.

Okay, so I had to look this one up, but I kinda wonder if there would’ve been a simpler way of saying this, given that this is that sort of “big, obviously fake and strained smile” one gives when trying to hide being unsettled or the like.

… Though now that I think about it, given that this guy is a monkey, maybe that’s less nervousness and more aggression. .-.
Rictus has connotations of death, which is why I chose it. It's less unsettled than unsettling.

Like I kinda get the idea of what it’s going for there Ada’s meant to be motor-mouthing things, but her blocks of dialogue are honestly big enough to the point that I had to go back and double-check to make sure that I wasn’t missing anything. I kinda wonder if meta-wise it’d have been better to come up with some sort of excuse for adding “pauses” to the story, like Ada taking a moment to get theatrical in front of the patrons or some funny background moments or something like that.
I'm not entirely sure where you got the idea that Ada is motor-mouthing? She's speaking until she's interrupted. I didn't find it necessary to break the story up too much--it is meant to be a story.

I also kinda wonder if the ending note could’ve been a bit stronger, or else if there could’ve been more built up to it. Maaaaybe I’m overlooking something from the text in my reading, but I’m not fully sure why it is that Nina is so worried at the end. Since I didn’t think that Nolan really brought up any stories of “thar be monsters” in the wilderness outside from the way he just completely dismantles Ada’s story. It makes me wonder if there’s some missing connections either in Nolan’s speech or in Nina’s internal thoughts, since I’m not fully sure how she got to that feeling of dread at the end.
Nina's not worried about the kind of monsters you can see and fight. Nolan hates her and mon like her. Maybe he's not the only one . . .

Thank you for the very kind words, and once again, I'm thrilled that you enjoyed it. I really enjoyed writing this one.

The economy of language here is exemplary (except where Ada is speaking, but that is rather the point~).
Are you suggesting that every word out of Ada's mouth is not absolutely essential? Maybe you just aren't educated enough to grasp their full significance . . .

I'm a huge fan of characters being people, and that's something done delightfully well in No Quarter, particularly in how evident it is that each speaker has their own takes and intentions and approaches to things even when they're on the same 'side'.
Absolutely. One of my favorite things to write is unreliable narrators, because everyone has their own viewpoint--everyone is coming from somewhere slightly different. I wrote a scene recently with four characters in a room, all of whom have different information informing their reactions, with the reader having different information still--that kind of interaction is just so fun to write.

Have fun with the campaign! I saw you posted a oneshot from what I think is the same 'verse during Blitz? I'll try to check it out.
 
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